

داستان و اطلاعات
Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.
اطلاعات کیفیت، فصل و قسمت صرفاً نمایشی است؛ پخش یا دانلود در این سایت فعال نیست.
4K
فقط نمایش ظاهری
1080p
فقط نمایش ظاهری
720p
فقط نمایش ظاهری
480p
فقط نمایش ظاهری
گفتوگوی محلی
این نظرها فقط در همین مرورگر ذخیره میشوند و برای دیگران ارسال نخواهند شد.
۱۹ تیر ۱۴۰۵
فضاسازی و انتخاب بازیگران بسیار خوب بود؛ برای تماشا در یک شب آرام پیشنهادش میکنم.
۱۵ تیر ۱۴۰۵
شروع اثر کمی آرام است اما در ادامه ریتم بهتری پیدا میکند و ارزش دنبالکردن دارد.
۱۱ تیر ۱۴۰۵
جزئیات داستان و موسیقی متن برای من جذابترین بخشهای این عنوان بودند.
Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.